Opening September 12, We Shall: Photographs by Paul D’Amato

September 9, 2013

Opening September 12,  We Shall: Photographs by Paul D’Amato

CHICAGO — The DePaul Art Museum probes complex issues of portraiture and representation across lines of race and community with We Shall, a new exhibition of works by Chicago photographer Paul D’Amato. The exhibition opens Thursday, September 12.

The exhibition chronicles dramas large and small in the lives of ordinary people through a group of portraits and studies of the urban landscape made on the west side of Chicago. “D’Amato is best known for his subtle and revelatory portraits, made collaboratively with his subjects,” said Gregory Harris, Assistant Curator at the DePaul Art Museum. “His photos refuse to provide all of the answers but instead embrace an aesthetic and poignant complexity that allows us to experience things we may not fully understand.”

An opening reception will be held from 6 to 8 p.m. September 12 at the museum, located at 935 W. Fullerton Ave., just east of the CTA’s Fullerton ‘L’ stop. The museum is free and open to the public every day. The exhibition runs through November 24. There will be a VIP preview from 5 – 6 the same evening, as well as a book release for the exhibition’s companion publication. DPAM will also be releasing the first Collector Print for members of the new “Friends of DPAM” member group.

“D’Amato’s images reveal unanticipated layers of meaning, supported by a deep sense of place and the photographer’s empathetic eye,” said Louise Lincoln, DPAM Director, “After looking at these images, it is practically impossible not to see people and surroundings through a different lens and understand broad issues of race, class, and inequality in more embodied ways.”

We Shall is the first museum exhibition of D’Amato’s latest series.

Accompanying programs at the museum explore some of the ideas and issues behind the photographs:

● “The Portrait: 2-Day Photography Workshop with Paul D’Amato.” Saturday, October 5 and Sunday, October 6. More information can be found here: http://museums.depaul.edu/events/workshop

● “Economics, Public Policy, Politics, and the City Many of Us Rarely See.” Talk with DePaul author and political scientist Larry Bennett. Wednesday, October 9, 6 p.m.

● Gallery talk and guided tour with curator Gregory Harris and artist Paul D’Amato. Saturday, November 2, 1 p.m.

● “What is the Image We’re Looking For? Depictions of Race and Class in American Journalism and Photojournalism.”  Talk with author and New York University professor Susie Linfield.  Thursday, November 14, 6 p.m.

A full list of programs and events related to the exhibition is online at http://museums.depaul.edu/news/calendar/. All programs (except workshop) are free of charge.

The DePaul Art Museum is about to enter its third year in its new home. The museum is open Monday through Thursday from 11 a.m. to 5 p.m., Friday from 11 a.m. to 7 p.m., and Saturday and Sunday from noon to 5 p.m. For more information, call 773-325-7506 or visit www.depaul.edu/museum

 

Upcoming Events

Taking Turns: Stories from HIV/AIDS Unit 371 with author MK Czerwiec

3/30/2017

MARCH 30 | 6:30 PM AT DEPAUL ART MUSEUM 

 

Comics have a long history in the arenas of public health messaging, political activism, and memoir. Comics can bear witness to stigmatized realities, create a new medium for representation, and inspire community engagement and empowerment. This lecture will contextualize the new graphic memoir Taking Turns: Stories from HIV/AIDS Care Unit 371 within the history of comics about HIV and AIDS. 

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One day this kid will get larger Panel: Kenyon Farrow & Jennifer Brier

4/1/2017

APRIL 1 | 1:00 PM AT DEPAUL ART MUSEUM

Working at the intersections of HIV/AIDS activism and the movement for Black Lives, the scholar, writer and activist Kenyon Farrow will offer a presentation on the correlation between AIDS activism and prison activism – highlighting the many ways in which HIV+ individuals, particularly low-income and black or brown individuals, are criminalized and incarcerated for their health status. Q&A with Farrow will be moderated by historian Jennifer Brier (Director of Gender and Women’s Studies, University of Illinois at Chicago).

Free and open to everyone, but space is limited. Please register in advance. 

 

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The Dead Taste Sweeter Than the Living (After Felix Gonzalez-Torres) by Emilio Rojas in collaboration with Paul Escriva

4/2/2017

APRIL 2 | 2:30 PM AT DEPAUL ART MUSEUM 

 

A multimedia performance inspired by the Art AIDS America exhibition at Alphawood Gallery and the companion exhibition One day this kid will get larger at DePaul Art Museum (DPAM), The Dead Taste Sweeter Than the Living is a mobile, interactive event that takes place at both art spaces with a procession in between. The project began and continues with the daily collection of pieces of candy from Felix Gonzalez-Torres’ Untitled (Portrait of Ross in LA), 1991, at the Art Institute of Chicago. Rojas then uses these elements in public performances to initiate a dialogue around mourning, grief, celebration and the impact of loss in queer communities through the AIDS crisis.

2:30 to 4pm at DePaul Art Museum

4:15 to 5:30pm at Alphawood Gallery

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