2019 +
2018 +
- Yasuhiro Ishimoto: Someday, Chicago
- Brendan Fernandes: The Living Mask
- Whitney Bradshaw: Outcry
- BEVERLY FRESH: Really Somethin Else
- Out of Easy Reach
- DPAM Collects: Happy Little Trees and Other Recent Acquisitions
- Closed for installation
- Public Reception on April 26, from 6 - 8 pm
- Barbara Jones-Hogu: Resist, Relate, Unite 1968-1975
- Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection
- Jose Guerrero, Presente: A Memorial Print Portfolio
- Siebren Versteeg: Daily Times (Performer)
- Senga Nengudi: Improvisational Gestures
- Ângela Ferreira: Zip Zap and Zumbi
- CLOSED FOR INSTALLATION
- Stranger Things
- Firelei Báez: Vessels of Genealogies
- Hương Ngô: To Name It is to See It
- A Matter of Conscience
- Four Saints in Three Acts
- The Many Faces of Vincent de Paul: Nineteenth-Century French Romanticism and the Sacred
- One day this kid will get larger
- CLOSED FOR INSTALLATION
- On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver
- Matt Nichols: SomethingDivine
- Tony Fitzpatrick: The Secret Birds
- Barbara Rossi: Poor Traits
- SELINA TREPP: NOWHERE NOW HERE
- Barbara Rossi: Eye Owe You!
- Dianna Frid & Richard Rezac: Split Complementary
- Nexo / Nexus: Latin American Connections in the Midwest
- Matt Siber: Idol Structures
- The Andy Archetype: Works from the Permanent Collection
- Liminal Infrastructure
- Sonja Thomsen: Glowing Wavelengths In Between
- DPAM will be closed for installation
- Rooted in Soil
- Ink, Paper, Politics: WPA-Era Printmaking from the Needles Collection
- Fires Will Burn: Politically Engaged Art from the Permanent Collection
- Jeff Carter: The Common Citizenship of Forms
- From Heart to Hand: African American Quilts from the Montgomery Museum of Fine Arts
- Dawoud Bey: Portraits in Context
- The Sochi Project: An Atlas of War and Tourism in the Caucasus
- Honest but not True: Photographs by Alan Cohen
- Histories/Photographies
- We Shall: Photographs by Paul D'Amato
- Designing for Performance: Cesar Pelli at DePaul University
- DePaul Faculty Exhibition
- Dominick Di Meo: Visionary Garden
- Gifts from the Koffler Collection
- War Baby/Love Child: Mixed Race Asian American Art
- For and Against Modern Art: The Armory Show + 100
- Climate of Uncertainty
- Bruce Davidson: Welsh Miners
- Afterimage
- Ellen Lanyon: The Persistence of Invention
- The Nature Drawings of Peter Karklins
- Drawn from Photography
- Studio Malick
- Andy Warhol: Photographs
- The Body and Art: African Sculpture from the Permanent Collection
- The Basilica of St. Vincent de Paul: Architecture of the Catholic Renouveau in Paris
- The Nomadic Studio
- The Breathing Factory: A Project by Mark Curran
- The Good, the Bad, and the Ugly: Museum Collections and "Deaccessioning"
- Iran Inside Out: Homeland and Diaspora in Contemporary Iranian Art
- Building the Business of Architecture: The Burnham Brothers and Chicago in the Golden Twenties
- Double Exposure: African Americans Before and Behind the Camera
- Realism and Magic: Latin American Photography from the Collection of DePaul University
- REVERENCE RENEWED: Colonial Andean Art from the Thoma Collection
- 1968: Art and Politics in Chicago
- Gerda Meyer Bernstein: Domestic Surveillance and Other Recent Work
- Abu Ghraib Detainee Interview Project: Works by Daniel Heyman
- Santeros: A Living Tradition in American Art from the Southwest
- Collection Under Construction: Building a Teaching Museum
- A Lifetime in the Arts: William Iaculla as Artist and Collector
- Annual Juried Student Exhibition
- Blood and Ink: Disasters of War from Goya to the Chapman Brothers
- Imperial Cartographies: Power, Strategy, and Scientific Discovery
- Chicago at Midcentury: Art from DePaul's Permanent Collection
- Julia Thecla: Undiscovered Worlds
- Needle Art: A Postmodern Sewing Circle
- Theoni V. Aldredge: Broadway and Beyond
- Derek Webster
- Look and Leave: New Orleans in the Wake of Hurricane Katrina
- Ordinary Landscapes by Steve Harp
- The Biography of Landscape: Jackson Park by Steve Harp and Barbara Willard
- Mark Klett: Ideas About Time
- The Louisiana Project: Work by Carrie Mae Weems
- New Work by DePaul Faculty
- The Subject of Palestine
- Eclipse: Photographs by Zalmaï Ahad
- Teaching and Learning: Artists as Professors
- Anxious Objects: Work by Ken Butler
- Annual Juried Student Exhibition
- fitter happier: an exhibition concerning technology
- Human Bodies in the Spirit World: African Sculpture from the Weber Collection
- Women and the Word: Gender and Literacy in Medieval and Early Renaissance Europe
- Marks of Respect: Labor and Social Justice in Depression Era, Selections from the Marian and Belverd Needles Collection
- New Works: Senior BFA Exhibition by Corine DiGiovanni, Alyse Marie Gallagher, and Nolan Hirsley
- Remembered City: Prints and Drawings by Tony Fitzpatrick
- New Acquisitions and Permanent Collection
- Tangible Instability: Contemporary Art in Romania work by Ioan Godeanu, Teodor Graur, Dan Perjovschi, Lia Perjovschi
- Renee Stout: Readers, Advisors & Storefront Churches
- Iraqi Art Now: Looking Out, Looking In
- DePaul Collects: Selections from Alumni, Faculty and Friends
- Jazz in Poland: Posters from the Rosenberg Collection
- Annual Juried Student Exhibition and New Acquisitions to the Permanent Collection
- Faculty Exhibition
- This is Not a Photograph: Rayographs and Other Unique Prints
- Dürer to Goya: Three Centuries of Printmaking from the Needles Collection
- Soon Come: The Art of Contemporary Jamaica
- Morbid Curiosity: Works by Ronald Gonzalez and Sally Thomas
- Past Present: DePaul Builds An Art Collection
- Weaving Culture: Textiles and Jewelry in Morocco
- New Objectivity: Artistic and Political Struggle in the Weimar Republic
- The Natural Order of Things: Visualizing Evolutionary Theory
- BAYWATCH
- Truth Justice and the American Way: Images of an Ideal Nation
- Apocalypse Now and Then: Art and the End of Time
DePaul Collects: Selections from Alumni, Faculty and Friends
September 3 – November 27
/ 2002Objects borrowed from the private holdings of DePaul alumni, faculty and friends show diverse approaches to collecting and an unusually broad range of material, from European prints to African sculpture and Chicago architectural fragments.