2017 +
- Firelei Báez: Vessels of Genealogies
- Hương Ngô: To Name It is to See It
- Four Saints in Three Acts
- The Many Faces of Vincent de Paul: Nineteenth-Century French Romanticism and the Sacred
- One day this kid will get larger
- On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver
- Matt Nichols: SomethingDivine
- Closed for Installation
- Tony Fitzpatrick: The Secret Birds
- Barbara Rossi: Poor Traits
- SELINA TREPP: NOWHERE NOW HERE
- Barbara Rossi: Eye Owe You!
- Dianna Frid & Richard Rezac: Split Complementary
- Nexo / Nexus: Latin American Connections in the Midwest
- Matt Siber: Idol Structures
- The Andy Archetype: Works from the Permanent Collection
- Liminal Infrastructure
- Sonja Thomsen: Glowing Wavelengths In Between
- DPAM will be closed for installation
- Rooted in Soil
- Ink, Paper, Politics: WPA-Era Printmaking from the Needles Collection
- Fires Will Burn: Politically Engaged Art from the Permanent Collection
- Jeff Carter: The Common Citizenship of Forms
- From Heart to Hand: African American Quilts from the Montgomery Museum of Fine Arts
- Dawoud Bey: Portraits in Context
- The Sochi Project: An Atlas of War and Tourism in the Caucasus
- Honest but not True: Photographs by Alan Cohen
- Histories/Photographies
- We Shall: Photographs by Paul D'Amato
- Designing for Performance: Cesar Pelli at DePaul University
- DePaul Faculty Exhibition
- Dominick Di Meo: Visionary Garden
- Gifts from the Koffler Collection
- War Baby/Love Child: Mixed Race Asian American Art
- For and Against Modern Art: The Armory Show + 100
- Climate of Uncertainty
- Bruce Davidson: Welsh Miners
- Afterimage
- Ellen Lanyon: The Persistence of Invention
- The Nature Drawings of Peter Karklins
- Drawn from Photography
- Studio Malick
- Andy Warhol: Photographs
- The Body and Art: African Sculpture from the Permanent Collection
- The Basilica of St. Vincent de Paul: Architecture of the Catholic Renouveau in Paris
- The Nomadic Studio
- The Breathing Factory: A Project by Mark Curran
- The Good, the Bad, and the Ugly: Museum Collections and "Deaccessioning"
- Iran Inside Out: Homeland and Diaspora in Contemporary Iranian Art
- Building the Business of Architecture: The Burnham Brothers and Chicago in the Golden Twenties
- Double Exposure: African Americans Before and Behind the Camera
- Realism and Magic: Latin American Photography from the Collection of DePaul University
- REVERENCE RENEWED: Colonial Andean Art from the Thoma Collection
- 1968: Art and Politics in Chicago
- Gerda Meyer Bernstein: Domestic Surveillance and Other Recent Work
- Abu Ghraib Detainee Interview Project: Works by Daniel Heyman
- Santeros: A Living Tradition in American Art from the Southwest
- Collection Under Construction: Building a Teaching Museum
- A Lifetime in the Arts: William Iaculla as Artist and Collector
- Annual Juried Student Exhibition
- Blood and Ink: Disasters of War from Goya to the Chapman Brothers
- Imperial Cartographies: Power, Strategy, and Scientific Discovery
- Chicago at Midcentury: Art from DePaul's Permanent Collection
- Julia Thecla: Undiscovered Worlds
- Needle Art: A Postmodern Sewing Circle
- Theoni V. Aldredge: Broadway and Beyond
- Derek Webster
- Look and Leave: New Orleans in the Wake of Hurricane Katrina
- Ordinary Landscapes by Steve Harp
- The Biography of Landscape: Jackson Park by Steve Harp and Barbara Willard
- Mark Klett: Ideas About Time
- The Louisiana Project: Work by Carrie Mae Weems
- New Work by DePaul Faculty
- The Subject of Palestine
- Eclipse: Photographs by Zalmaï Ahad
- Teaching and Learning: Artists as Professors
- Anxious Objects: Work by Ken Butler
- Annual Juried Student Exhibition
- fitter happier: an exhibition concerning technology
- Human Bodies in the Spirit World: African Sculpture from the Weber Collection
- Women and the Word: Gender and Literacy in Medieval and Early Renaissance Europe
- Marks of Respect: Labor and Social Justice in Depression Era, Selections from the Marian and Belverd Needles Collection
- New Works: Senior BFA Exhibition by Corine DiGiovanni, Alyse Marie Gallagher, and Nolan Hirsley
- Remembered City: Prints and Drawings by Tony Fitzpatrick
- New Acquisitions and Permanent Collection
- Tangible Instability: Contemporary Art in Romania work by Ioan Godeanu, Teodor Graur, Dan Perjovschi, Lia Perjovschi
- Renee Stout: Readers, Advisors & Storefront Churches
- Iraqi Art Now: Looking Out, Looking In
- DePaul Collects: Selections from Alumni, Faculty and Friends
- Jazz in Poland: Posters from the Rosenberg Collection
- Annual Juried Student Exhibition and New Acquisitions to the Permanent Collection
- Faculty Exhibition
- This is Not a Photograph: Rayographs and Other Unique Prints
- Dürer to Goya: Three Centuries of Printmaking from the Needles Collection
- Soon Come: The Art of Contemporary Jamaica
- Morbid Curiosity: Works by Ronald Gonzalez and Sally Thomas
- Past Present: DePaul Builds An Art Collection
- Weaving Culture: Textiles and Jewelry in Morocco
- New Objectivity: Artistic and Political Struggle in the Weimar Republic
- The Natural Order of Things: Visualizing Evolutionary Theory
- BAYWATCH
- Truth Justice and the American Way: Images of an Ideal Nation
- Apocalypse Now and Then: Art and the End of Time
Fires Will Burn: Politically Engaged Art from the Permanent Collection
July 10 – December 21
/ 2014Drawing on DePaul’s own collection, this exhibition surveys a wide range of political expression, from a Diego Rivera painting of the Mexican Revolution through John Wilson’s searing Down by the Riverside, a suite of etchings about slavery, and Gerda Meyer Bernstein’s powerful installation The Justice Chair. Of particular interest is a seldom-seen portfolio of prints by Chicago artists protesting the Vietnam War.