2013 +
- Histories/Photographies
- HereStillNow: Photographs by Paul D'Amato
- War Baby/Love Child: Mixed Race Asian American Art
- For and Against Modern Art: The Armory Show + 100
- Climate of Uncertainty
- Bruce Davidson: Welsh Miners
- Afterimage
- Ellen Lanyon: The Persistence of Invention
- The Nature Drawings of Peter Karklins
- Drawn from Photography
- Studio Malick
- Andy Warhol: Photographs
- The Body and Art: African Sculpture from the Permanent Collection
- The Basilica of St. Vincent de Paul: Architecture of the Catholic Renouveau in Paris
- The Nomadic Studio
- The Breathing Factory: A Project by Mark Curran
- The Good, the Bad, and the Ugly: Museum Collections and "Deaccessioning"
- Iran Inside Out: Homeland and Diaspora in Contemporary Iranian Art
- Building the Business of Architecture: The Burnham Brothers and Chicago in the Golden Twenties
- Double Exposure: African Americans Before and Behind the Camera
- Realism and Magic: Latin American Photography from the Collection of DePaul University
- REVERENCE RENEWED: Colonial Andean Art from the Thoma Collection
- 1968: Art and Politics in Chicago
- Gerda Meyer Bernstein: Domestic Surveillance and Other Recent Work
- Abu Ghraib Detainee Interview Project: Works by Daniel Heyman
- Santeros: A Living Tradition in American Art from the Southwest
- Collection Under Construction: Building a Teaching Museum
- A Lifetime in the Arts: William Iaculla as Artist and Collector
- Annual Juried Student Exhibition
- Blood and Ink: Disasters of War from Goya to the Chapman Brothers
- Imperial Cartographies: Power, Strategy, and Scientific Discovery
- Chicago at Midcentury: Art from DePaul's Permanent Collection
- Julia Thecla: Undiscovered Worlds
- Needle Art: A Postmodern Sewing Circle
- Theoni V. Aldredge: Broadway and Beyond
- Derek Webster
- Look and Leave: New Orleans in the Wake of Hurricane Katrina
- Ordinary Landscapes by Steve Harp
- The Biography of Landscape: Jackson Park by Steve Harp and Barbara Willard
- Mark Klett: Ideas About Time
- The Louisiana Project: Work by Carrie Mae Weems
- New Work by DePaul Faculty
- The Subject of Palestine
- Eclipse: Photographs by Zalmaï Ahad
- Teaching and Learning: Artists as Professors
- Anxious Objects: Work by Ken Butler
- Annual Juried Student Exhibition
- fitter happier: an exhibition concerning technology
- Human Bodies in the Spirit World: African Sculpture from the Weber Collection
- Women and the Word: Gender and Literacy in Medieval and Early Renaissance Europe
- Marks of Respect: Labor and Social Justice in Depression Era, Selections from the Marian and Belverd Needles Collection
- New Works: Senior BFA Exhibition by Corine DiGiovanni, Alyse Marie Gallagher, and Nolan Hirsley
- Remembered City: Prints and Drawings by Tony Fitzpatrick
- New Acquisitions and Permanent Collection
- Tangible Instability: Contemporary Art in Romania work by Ioan Godeanu, Teodor Graur, Dan Perjovschi, Lia Perjovschi
- Renee Stout: Readers, Advisors & Storefront Churches
- Iraqi Art Now: Looking Out, Looking In
- DePaul Collects: Selections from Alumni, Faculty and Friends
- Jazz in Poland: Posters from the Rosenberg Collection
- Annual Juried Student Exhibition and New Acquisitions to the Permanent Collection
- Faculty Exhibition
- This is Not a Photograph: Rayographs and Other Unique Prints
- Dürer to Goya: Three Centuries of Printmaking from the Needles Collection
- Soon Come: The Art of Contemporary Jamaica
- Morbid Curiosity: Works by Ronald Gonzalez and Sally Thomas
- Past Present: DePaul Builds An Art Collection
- Weaving Culture: Textiles and Jewelry in Morocco
- New Objectivity: Artistic and Political Struggle in the Weimar Republic
- The Natural Order of Things: Visualizing Evolutionary Theory
- BAYWATCH
- Truth Justice and the American Way: Images of an Ideal Nation
- Apocalypse Now and Then: Art and the End of Time
Studio Malick
March 29 – June 3
/ 2012Malick Sidibé’s exuberant photographs offer a unique look at a time of political transition and cultural liberation. As Mali gained independence from France in 1960, the youth culture of music, dancing and fashion exploded in this once-conservative West African nation and Sidibé’s ubiquitous lens chronicled it all. Through the use of props, posing, and a deft attention to personality, he developed a distinct style, fulfilling his clients’ aspirational self-presentation and achieving international recognition for these beautiful and nuanced studies of human character.
Studio Malick is organized by the DePaul Art Museum in conjunction with diChroma Photography, Spain.