Dianna Frid & Richard Rezac discuss “Split Complementary.”

March 4, 2016

Review in The DePaulia

February 1, 2016

Check out the latest review of DePaul Art Museum’s winter exhibitions in The DePaulia. 

Review in Newcity

November 30, 2015

Read the most recent review of Matt Siber’s Idol Structures on art.newcity.com.

 

Idol Structures

October 13, 2015

Featuring photography, sculptures and other media, Siber brings attention to the structures that we use in urban landscapes to propagate mass-media communication. Elements like used billboard vinyls, empty signposts and other items that usually hold advertisements draw attention to the components of media that usually are meant to stay invisible.

Siber said that he has been working on projects dealing with advertising, propaganda and “the ways we are manipulated and influenced to do things” since 2002, which then turned into him looking at signage and public spaces.

The inspiration for all of this comes from his own personal dislike for “being manipulated,” he said. “Perhaps this is a way of counteracting it.”

Siber also mentioned the importance of the exhibit, specifically for college students.

“You’re learning about the world,” Siber said. “I hope this exhibition makes you think of the world around you a little differently than maybe before you’ve seen it.”

Though the themes of advertising and public spaces have been present in a lot of Siber’s work as an artist, the idea for this exhibition has been discussed for several years and is now only recently coming into fruition. Gregory Harris, assistant curator at DPAM, said that he saw one of Siber’s shows about three years ago, “back when we were just planning the new Art Museum building.”

“Idol Structures” runs through Dec. 20. (Photo courtesy of DEPAUL ART MUSEUM)

Since then, Siber had been working on creating an exhibition that would fit DPAM perfectly, taking into account the unique spaces in the new building, like the window looking over the train tracks, in which to place attention-grabbing works.

In this exhibit, Siber said that he focused on the differences between the idea of two-dimensional versus three-dimensional and “how things occupy space differently,” such as advertisements and the signage that holds them there.

Claire Sandberg, a junior at DePaul and the Gallery Tech Intern at the Art Museum, said Siber made a lot of the pieces after the exhibition had already been discussed.

“We put our trust in him that he would make something really cool for us and he did,” Sandberg said.

With so many varieties of structures in this exhibition, a lot of work went into creating an inviting yet meaningful space. With the help of the artist himself, “we spent the whole month of August hanging it all up,” said Sandberg, who especially enjoyed hanging up the huge billboard vinyls using cherry picker lifts.

“Matt (Siber) has been around Chicago for 14 or 15 years, so he’s well-known in the city,” Harris said. She said Siber is most well-known for his photography, but has recently delved into other mediums, like sculpture for this exhibition.

“This project is the first project I’ve done that’s dealt with sculpture,” Siber said. He made his first sculpture in 2010.

So far, the student response has been great, Harris said. A lot of art classes have been making their way over to the museum, from DePaul and from other schools, as well as photography classes.

“Idol Structures” will be available until Dec. 20. The exhibition is free and open to the public.

Julie Rodrigues Widholm makes Newcity’s Art 50 2015 list- Chicago’s Visual Vanguard

September 21, 2015

Long heralded as a mecca for alternative practices, collectivity and socially engaged art, Chicago increasingly finds itself among the most visible international art destinations precisely because of its distinct character and openness to change and growth. What makes this city fertile ground for launching new talent and sustaining confirmed genius? A complex and ever-changing network of curators, collectors, administrators, critics, dealers, educators and other enthusiasts cultivate Chicago’s artistic vitality and diversity. The Art 50 is Newcity’s annual snapshot of Chicago’s art ecosystem. This year, we track the power players who shape the terrain in which we thrive.

The Art 50 was written by Elliot J. Reichert, Maria Girgenti, Abraham Ritchie, Kate Sierzputowski and B. David Zarley.

 

- See more at: http://art.newcity.com/2015/09/17/art-50-2015-chicagos-visual-vanguard/#sthash.HpHGWOd5.dpuf

Upcoming Events

DePaul in the Arts Lecture: Joanna Gardner-Huggett

1/25/2018

January 25, 1pm

DePaul in the Arts is an ongoing lecture series that provides DePaul faculty a platform to share insights about their work. As part of this program, Joanna Gardner Huggett, Associate Professor and Chair of Art and Architecture, will give a presentation on the work of June Wayne, whose work is featured in “Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection.”

Free and open to everyone. Register

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The Politics of Print Panel Discussion with William Estrada and Nicole Marroquin

2/17/2018

February 17, 12:00pm

From Barbara Jones-Hogu and AfriCOBRA’s dissemination of Black Power images to the Pilsen activists that worked with Jose Guerrero, the artists on view during DPAM’s winter exhibition have explored myriad ways of communicating political and social messages through their prints.  This panel explores the social impact of print media and projects by Chicago artists and collectives. Panelists include William Estrada and Nicole Marroquin.

Free and open to everyone. Register

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Mobile Street Art Cart with William Estrada

2/17/2018

February 17, 1:30 – 3:00 pm

In conjunction with DPAM’s Winter 2018 exhibitions artist William Estrada will lead a printmaking activity in the museum’s event space. As a socially engaged artist and co-founder of The Chicago ACT (Artists Creating Transformation) Collective, Estrada will bring his Mobile Art Cart, a portable print and art making studio on wheels, to the museum and will guide visitors through the printmaking process.

Free and open to everyone. Register

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